Steve James Documentary Stevie Update Internet
Contents • • • • • Content [ ] In 1995, James returned to, a rural town in, USA. After 10 years with no contact, he attempts to reconnect with Stevie Fielding, a troubled young boy to whom he had been an 'Advocate Big Brother'. James's re-entry into Stevie's life is brief. The story then picks up again about two years later after Stevie is charged with a serious crime. Through interviews with Stevie and his family and friends, James paints the portrait of a man who is still very troubled, while he tries to understand what led Stevie down the path of self-destruction. Post-release [ ] Stevie was the winner of numerous festival awards, including the 2002 Amsterdam International Documentary Film Festival's Joris Ivens Award, given to that year's top documentary.
The film was a 2003 nominee for Best Documentary at the, as well as the. By decade's end, Stevie was on numerous 'Best of the 2000s' list. In his list of 'Best Films of Any Genre', Ray Pride of NewCity Film, ranked Stevie at #19. Critic Collin Souter of Efilmcritic.com named Stevie the best documentary of the decade. [ ] Aftermath [ ] Stephen Fielding was scheduled to be paroled on February 15, 2007.
How Steve James Finds Silver Linings. Despite how prepared you think you are to undertake a documentary. “Stevie” (2012) James initially started out. 'Stevie,' the latest documentary by one of the modern masters of the form, Steve James of Chicago's Kartemquin Films, is a film so troubling and.
His original ten-year sentence was completed on October 29, 2009, and he was released from the. References [ ].
• International Documentary Film Festival Amsterdam 2002. Retrieved 25 Jan.
• Sundance.org. Retrieved 25 Jan. • Retrieved 25 Jan. • Pride, Ray. NewCity Film.com.
Retrieved 25 Jan. • Filmsweep.com. Retrieved 25 Jan. • Phipps, Keith. Untitled Keith Phipps Project.
Retrieved 25 Jan. • Souter, Collin.
Retrieved 25 Jan. External links [ ] • at the list • Stephen Fielding Illinois State Offender page • Stephen Fielding Tennessee Sex Offender Page •.
The movie is by, who directed the great documentary ' (1994). For years, people asked him, 'Whatever happened to those kids?' --to the two young basketball players he followed from eighth grade to adulthood.
James must often have wondered about the kid nobody ever asked about, Stevie. While he was a student at Southern Illinois University, Steve was a Big Brother to Stevie, but he lost touch in 1985, after graduating. Ten years later, he went back Downstate, to the town of Pomona, 10 or 15 miles down the road from Carbondale, to seek out Stevie. Esi Tronic 2013 2q Keygen Software. That must have taken some courage, and even on his first return James must have suspected that this story would not have a happy ending. But it has so much truth, as it shows an unhappy childhood reaching out through the years and smacking down its adult survivor. Here are a few facts, for orientation.
Stevie Fielding was not wanted. He was born out of wedlock, does not know who his father is, was raised by a mother who didn't want him, was beaten by her. When she did marry, she turned him over to her new husband's mother to raise.
He also made a circuit of foster homes and juvenile centers, where he was raped and beaten regularly. When we meet Stevie again, he is 23 and not doing well. His tattoos and Harley T-shirt express a bravado he does not possess, and he makes a poor impression with haystack hair, oversize thick glasses and bad teeth.
The most important person in his life is his girlfriend, Tonya Gregory, who on first impression seems slow, but who on longer acquaintance reveals herself as smart about Stevie and loyal to him. His stepsister Brenda is also a support, a surrogate mother who seems the best-adjusted member of his family, perhaps because, as her husband tells us, 'they didn't beat her.' Stevie freely expressed hatred for his mother, Bernice ('Some day I am going to kill her'), and she is one of the villains of the piece, but having stopped drinking, she feels remorse and even blames herself, to a degree, for Stevie's problems--especially the latest one.
Between 1995, when James first revisits Stevie, and 1997, when production proper started on this documentary, Stevie was charged with molesting an 8-year-old girl. Stevie says he is innocent. Even Tonya thinks he is guilty. We do not forgive him this crime because of his tragic childhood, but it helps us understand it--even predict it, or something like it.
And as he goes through the court system, Tonya stands by him, Brenda helps him as much as she can and Bernice, his mother, seems slowly to change for the better--to move in the direction she might have taken if it had not been for her own troubles. There is no sentimentality in 'Stevie,' no escape, no release. 'The film does not come to a satisfying ending,' writes the critic David Poland. He wanted more of a 'lift,' and so, I suppose, did I--and James. But although 'Hoop Dreams' ended in a way that a novelist could not have improved upon, 'Stevie' seems destined to end the way it does, and is the more courageous and powerful for it. A satisfying ending would have been a lie.